Sources
The optics. Roland Stull, Practical Meteorology: An Algebra-based Survey of Atmospheric Science, ch. 22 (Atmospheric Optics), open access — for “a single raindrop produces both: entering rays undergo either one internal reflection (primary) or two internal reflections (secondary) before exiting”; for the secondary at about 50° with red on the inside and the primary's red at 42.7° on the outside, so the two reds face each other; for “the secondary rainbow is faint — only 43% as bright as the primary”; and for Alexander's dark band — “Neither the primary nor secondary rainbows return light in the viewing-angle range between 42.7° and 50°.” Alexander of Aphrodisias, c. 200 CE, for the observation that the band is there at all. Les Cowley's Atmospheric Optics is the standing reference for the family.
The 1974 paper, read at the paper. George A. Rekers & O. Ivar Lovaas, “Behavioral Treatment of Deviant Sex-Role Behaviors in a Male Child,” Journal of Applied Behavior Analysis 7(2), 1974, pp. 173–190 (DOI 10.1901/jaba.1974.7-173). The version on PubMed Central is scanned page images, so we obtained the PDF and read it rather than working from summaries — which is how we caught that the widely circulated pseudonym “Craig” is “Kraig” in the paper. Every quotation on spreads six and eight is from that text: the abstract's stated aim, the mother “trained to be his therapist”, the red and blue poker chips with “physical punishment by spanking from the father”, the judgement that it was “clinically safer” to run the system on nongender behaviour first, and the home checklist wording. Author affiliations as printed: Rekers, Harvard University; Lovaas, University of California, Los Angeles.
The record since. JABA Editor's Note, “Societal changes and expression of concern about Rekers and Lovaas' (1974)…”, October 2020 (DOI 10.1002/jaba.768). Austin H. Johnson, “The weight of harm: A Response to ‘Editor's Note…’”, Behavior Analysis in Practice, 2022 (DOI 10.1007/s40617-022-00683-y) — for the call to retract, for Kirk Andrew Murphy's name and pronouns, and for the death reported without a causal claim. The 2020 wording is quoted as Johnson quotes it; we have not read the Editor's Note at its own page, and this line says so.
The entwinement, and where each part comes from. Stimpunks' own We're a Double Rainbow All the Way is where this zine started, and it is a lead rather than a citation, per house rule. Eric Michael Garcia's thread is quoted for his own sentence about flapping hands; his account cites Steve Silberman's NeuroTribes for Lovaas's involvement in UCLA's Feminine Boy Project. Flagged and graded lower: we have not confirmed the Feminine Boy Project attribution, the “four co-authored papers” figure, or Lovaas's reported description of gender-nonconforming boys as “socially handicapped individuals” (which reached us through Xtra Magazine) against primary sources. None of the argument on spreads six to nine depends on any of them — it rests on two bibliographic entries and one journal's own filing, which is why it was built that way.
Neuroqueer. Coined by Nick Walker (his own account dates it to around 2008); independently arrived at by Athena Lynn Michaels-Dillon, with Remi Yergeau working the same ground as neurological queerness; the three converged in early 2014 and began public use from there. Nick Walker, Neuroqueer Heresies (Autonomous Press, 2021). Open: sources vary on the dates and this should be confirmed at neuroqueer.com before reprint. Gwen Nelson as the creator of Autistic Pride Day, and a trans woman — Nick Walker.
Credits
House zine, proposed by Ryan Boren, who is queer and neurodivergent, who asked for a double rainbow piece, and who caught the problem in the first proposal: the physics as we had first framed it — real, dimmer, reversed — subordinates one arc to the other, and mapping identities onto the arcs would build a ranking into the structure no amount of careful prose could undo. He was right, and checking the textbook proved it in his favour rather than ours: a single drop makes both arcs at once, so there was never anything to rank. The refusal on spread five exists because he insisted on it. The first-person passages on spreads four and five are his, in his own voice. The second one moved. It was drafted for the closing spread, and it belongs on spread four instead, because it is a direct answer to the 43% — “it just emitted light along more turnings… one distributing more of itself along the way” — and stranding it nine spreads away from the number it answers would have wasted the best reframe in the piece. The closing spread now ends in house voice, which is the right shape: he says what it is to hold both, and the house does the arguing about who tried to take them.
The phrase it's a double rainbow all the way is Paul “Yosemitebear” Vasquez, 2010, and reaches this zine through Stimpunks. Living Under a Double Rainbow — Hanna Bertilsdotter Rosqvist, Anna Day & Meaghan Krazinski (eds.), Exploring Autistic Sexualities, Relationality and Genders (Routledge) — and Twainbow, on having two rainbows and two coming-out stories, are the reason this ground was already marked as ours to walk carefully.
What this deliberately does not re-argue
Not a Line (No. 21) owns dispersion and the spectrum-is-not-a-ladder argument. Your Shadow Is the Centre (No. 69) owns the observer geometry, the unshowable bow, and the refusal of the Pride-flag conflation. The Shell Was Your Calcium (No. 57) owns the egg crack and its debt to trans communities. Eight Tenths of a Second (No. 38) owns the behaviourism chain and stops, correctly, at Lovaas's 1987 paper; this piece is the door that chain arrived at, and it adds exactly one thing: the 1974 paper, and who else was in the room. Who Is Holding the Candle owns epistemic injustice.
A rhyme, not a proof. No optical fact establishes anything about a nervous system or a gender, and the physics here is not offered as a cause. It supplies one shape — a single source producing two complete things at once, neither derived from the other, neither arriving second — and that shape then turns out to fit a documented history exactly. The history is the argument; the rainbow is only how we noticed what shape the history was. Two things on these spreads are ours and not anybody's measurement, and both say so where they stand. Everything else is a lead you can check, and we would rather be corrected in public than be tidy. Both arcs. One drop. Neither of you is the second one.