Young Readers
Stimpunks × More Realms · Zine No. 102

It Stays Green, and Then It Goes

a read-aloud about what a leaf actually does in autumn — which is not what anybody thinks — with every source kept on the page for the grown-up


L★S
Love You Down To Your Star Stuff
open edition · print freely
To begin

Everybody thinks it fades


You know what a leaf does in autumn. Everybody does.

It is green in the summer. Then it goes a bit yellowy. Then more yellowy. Then it is gold, and then it falls off.

Slowly. Over weeks and weeks. Fading, like an old picture on a wall.

That is not what happens.

And the only way anybody could find out was to go outside and look at the very same leaf every single day.

For the grown-up

The measurement this zine is built on is H. Mattila, D. Valev, V. Havurinne, S. Khorobrykh, O. Virtanen, M. Antinluoma, K. B. Mishra & E. Tyystjärvi, “Degradation of chlorophyll and synthesis of flavonols during autumn senescence — the story told by individual leaves,” AoB Plants 10(3), ply028 (2018), doi:10.1093/aobpla/ply028. Open access, read at full text.

The gradual-fade picture is not a straw man — it is what a whole-tree or whole-canopy measurement looks like, because different leaves turn at different times and averaging them together produces a smooth slope that no individual leaf ever follows. The finding required watching named, marked, individual leaves, which is exactly what the paper’s subtitle means.

How anybody knows

Twice a day, all autumn


Some scientists in Finland picked out particular leaves on four different trees, and put a little mark on each one so they would know it again.

Then they went out to those exact leaves every morning and every evening. For the whole autumn.

They had a gadget that could tell how much green was left in a leaf without picking it or hurting it. Just hold it up to the leaf.

So they were not looking at a tree. They were looking at the same leaf, over and over, until it fell off.

Nobody had watched leaves like that before.

For the grown-up

Verbatim: “chlorophyll and flavonol contents were measured every morning and evening during the whole autumn with a non-destructive method from individual leaves of Sorbus aucuparia, Acer platanoides, Betula pendula and Prunus padus.” That is rowan, Norway maple, silver birch and bird cherry, in Turku, Finland. Leaves at 0.5–2 m were marked before measurements began.

The gadget is real and worth naming: a Dualex, which shines infrared and red light through the leaf and reads what comes out the other side. Because it does not damage the leaf, the same leaf can be measured hundreds of times — which is the entire reason this result exists. A method that destroys its sample can only ever compare different leaves to each other.

They checked the gadget against the hard way. Leaves were also measured destructively — discs cut, pigment extracted in solvent, quantified with a spectrophotometer — to validate and calibrate the non-destructive readings.

What they found

It holds, and holds, and then it goes


The leaf stayed green.

Not fading. Not slowly going. Green. Exactly as green on the twentieth day as on the first.

And then, one day, something switched on.

And in about a week the leaf turned, and fell.

Not a slow fade at all. A long wait, and then a fast change.

How much green is in one leaf, day after day A graph. Time runs along the bottom, and the amount of green in a single leaf runs up the side. The line starts high and stays completely flat and level for most of the graph, showing that the leaf keeps exactly the same amount of green day after day. Then it turns sharply downward and drops almost straight to the bottom over a short stretch marked as about one week, ending where the leaf falls. HOW MUCH GREEN IS LEFT ABOUT ONE WEEK NOTHING CHANGES ONE LEAF · DAY AFTER DAY
Mattila and colleagues
AoB Plants 10, 2018
For the grown-up

Verbatim, and it is the whole paper in two sentences: “In most of the studied trees, the chlorophyll content of each individual leaf remained constant until a phase of rapid degradation commenced. The fast phase lasted only ~1 week and ended with abscission.” Abscission is the leaf letting go.

One tree behaved differently and the paper says so, which is why the read-aloud says the leaf rather than every leaf: in rowan, “very slow gradual chlorophyll degradation occurred on top of the main pattern” — the switch still happened, with a genuine slow fade underneath it. Birch, maple and bird cherry showed the clean version.

The drawing is the shape, not the data. It is drawn from the paper’s described pattern rather than traced off a published figure, and the axis has no numbers on it because the instrument reports an index rather than a quantity a child could hold. What is being claimed is the shape: flat, then a cliff.

Not together

And they do not do it together


Here is the next surprise.

The leaves on one tree do not all switch on the same day.

One leaf starts. Then another one, somewhere else on the tree, a few days later. Then another.

Even two leaves sitting on the very same branch do not go at the same time.

So when you look at a whole tree slowly turning gold, you are not watching one slow change.

You are watching hundreds of fast ones, all starting on different days.

For the grown-up

Verbatim: “chlorophyll degradation started at different times in different B. pendula leaves, and the leaves belonging to same branches did not behave similarly.” And in two species the order looked like nothing at all: “In the leaves of P. padus and B. pendula, chlorophyll degradation begins in seemingly random order.”

This spread is what resolves the contradiction on the spread before it. A tree really does turn gradually, over weeks; an individual leaf really does hold and then go in a week; and both are true because the fast changes are staggered. The smooth curve everyone pictures is an artefact of averaging.

Rowan was again the exception, in an interesting direction: its leaflets are grouped on a shared stalk, and “the timing of chlorophyll degradation differed between leaves but leaflets belonging to the same leaf had a more uniform timing.” So the unit that switches together is the leaf, not the branch.

The yellow

The yellow was in there in June


So where does the gold come from?

Here is the surprising bit: it was already in the leaf. In June. In the middle of summer, while the leaf was as green as green.

Yellow stuff and green stuff, both in there together, all along.

There was just so much more green than yellow that green is all you could see.

And in autumn the green gets taken to pieces. So what is left is the yellow.

How much green and how much yellow, in summer and in autumn Two pairs of bars. On the left, labelled summer, a very tall bar labelled green stands beside a short bar labelled yellow, showing that both are in the leaf but there is far more green. On the right, labelled autumn, the green bar has gone completely and only the short yellow bar is left, a little shorter than it was. The short yellow bar is the same kind of bar in both pairs, showing that it was there all along. SUMMER AUTUMN GREEN YELLOW GREEN YELLOW THE YELLOW BAR IS THERE IN BOTH
Drawn as a comparison of amounts,
not as measured values
For the grown-up

The yellow pigments are carotenoids — carotenes and xanthophylls — and they are not autumn decorations. They are working parts of the photosynthetic machinery all summer, harvesting light and protecting the leaf from its own excess of it. Their presence in a green leaf is not in dispute anywhere.

The bars are proportions, not measurements, and the figure says so. Drawing them to a real scale would need one species, one instrument and one set of units, and the two papers this zine uses report pigments in ways that do not share an axis.

Chlorophyll is dismantled rather than discarded, and the chemistry is worth a sentence: it is broken down through several steps into a colourless product that is moved into the cell’s vacuole. The leaf does not switch the green off. It takes it apart. Spread ten is about where the pieces go.

Careful

That sentence is tidier than the measurements


You will read that sentence in a lot of books. The green goes away and shows you the yellow that was hiding.

It is a good sentence. It is nearly right.

But when somebody actually went and measured the yellow stuff, day by day, in an aspen tree — the yellow was going away too.

Two of the main yellow ones disappeared at about the same speed as the green did. Only some of the others hung on longer.

So the tidy sentence is part of the answer, and not all of it. Nobody has finished this one either.

For the grown-up

J. Keskitalo, G. Bergquist, P. Gardeström & S. Jansson, “A cellular timetable of autumn senescence,” Plant Physiology 139 (2005), doi:10.1104/pp.105.066845, following one free-growing aspen (Populus tremula) through an autumn. Verbatim: “Lutein and beta-carotene were degraded in parallel with chlorophyll, whereas neoxanthin and the xanthophyll cycle pigments were retained longer.” Abstract read verbatim; the full paper is behind a subscription and we did not reach it.

Set that against the sentence everyone repeats. Mattila et al. give the standard account in their own introduction — “The spectacular autumn colours are partly caused by exposure of carotenoids due to faster degradation of chlorophyll” — and note the hedge, which the popular retelling drops. It is background in their paper, not their measurement; what they measured was chlorophyll and flavonols.

Both things can be true and the resolution is quantitative. Chlorophyll absorbs far more strongly than carotenoids do, so a leaf can lose most of both and still turn visibly yellow. What is not established by the measurement is the tidy causal story that the yellow simply sits there waiting while only the green leaves. One species, one tree, one autumn — and it is the only one of our sources that separated the individual carotenoids.

Why this spread exists at all. A read-aloud could have printed the tidy sentence and nobody would have complained. The house rule is that for kids is exactly the shelf where a verify-everything standard quietly lapses, and this is the sentence on this page most likely to have lapsed.

The red

The red was not in there at all


Now go and find a red leaf. A proper scarlet one.

This is a completely different story.

The red was not already in the leaf. Not in June. Not in July. Not anywhere.

The tree makes the red. On purpose. In autumn. While the leaf is dying.

Think about that for a second. The leaf is being taken to pieces — and at the same time, brand new stuff is being built inside it.

One colour was already there and got uncovered. The other one had to be made.

For the grown-up

The red pigments are anthocyanins, and unlike the carotenoids they are synthesised de novo during senescence. Männistö, Holopainen, Häikiö & Klemola, Entomologia Experimentalis et Applicata 165 (2017), doi:10.1111/eea.12626, state it flatly: “Red autumn colouration of trees is the result of newly synthesized anthocyanin pigments in senescing autumn leaves.”

Keskitalo caught the timing directly, which is better than the assertion: “after this date, senescing leaves accumulated anthocyanins in response to conditions inducing photooxidative stress, but at the beginning of September the leaves did not.” Same tree, same stress, different answer — before the programme started and after it. The capacity arrives with senescence.

And the leaf is building other things too. Mattila et al.’s own finding pairs the two: “each leaf maintained steady chlorophyll content until rapid chlorophyll degradation, accompanied by flavonol synthesis, was triggered.” Flavonols are not the red pigments — the paper is explicit that “in contrast to anthocyanins, flavonols do not absorb visible light”, and that their roles are “poorly understood.” They are named here only to make the point the read-aloud makes: the dismantling and the manufacturing happen in the same week.

Still arguing

Nobody knows why it bothers


Making red is not free. It costs the tree something, right at the moment it is packing up for winter.

So why do it?

Some scientists think the red is sunscreen — it shades the leaf while the tree finishes emptying it out.

Others think the red is a sign, a message to insects looking for somewhere to lay eggs: not this tree.

In 2021 some scientists went looking for the sunscreen answer in the numbers. They did not find it.

Then in 2022 other scientists wrote back and said: not so fast.

They are still arguing. That is not a problem with the science. That is the science.

For the grown-up

The photoprotection idea is that anthocyanins shield the senescing leaf from photooxidative stress at low temperatures, allowing better recovery of nutrients — nitrogen especially — before the leaf falls. The signalling idea is that red is a costly, honest advertisement to autumn-migrating insects that the tree is well defended or poor food; it is generally traced to Hamilton & Brown, “Autumn tree colours as a handicap signal,” Proc. R. Soc. B 268, 1489–1493 (2001) — a citation we pinned but did not read.

The 2021 test, in its authors’ words: Peña-Novas & Archetti, Journal of Evolutionary Biology 34 (2021), doi:10.1111/jeb.13903, analysed nitrogen content of mature and senescent leaves against autumn colours and found resorption efficiency correlated with chlorophyll resorption and not with anthocyanin production — which is the correlation the photoprotection story predicts. Abstract read verbatim.

The 2022 reply: Renner & Zohner, Journal of Evolutionary Biology (2022), doi:10.1111/jeb.13957, argue that eastern North American trees receive more autumn solar irradiation than European trees at the same latitude, which could partly explain why so many more of them go red, and raise a shorter foliage period and stronger nitrogen limitation as further factors. Abstract read verbatim.

The read-aloud does not pick a winner and neither do we. A field test of the signalling idea (Männistö et al. 2017, above) is a third strand. What a five-year-old is being handed here is not a fact but a shape: two ideas, a test, a reply, and no result yet.

Before it lets go

The tree takes nearly all of it back


Here is the part nobody tells you.

A leaf is full of good things the tree spent all summer making. The tree is not about to throw those away.

So before it lets the leaf go, it pulls them back down inside itself, to keep for the spring.

Out of every hundred parts of the two most precious things in there, the tree gets about eighty back.

The leaf on the ground is not a wasted leaf. It is a leaf the tree has already emptied.

What the tree takes back before the leaf falls A row of one hundred small squares standing for everything valuable in the leaf. Eighty of them are filled in solid and grouped together under a label saying carried back into the tree, with an arrow pointing away from the leaf and back towards the branch. The remaining twenty are drawn as empty outlines, under a label saying goes down with the leaf. ONE HUNDRED PARTS OF THE GOODNESS ABOUT 80 GO BACK IN ABOUT 20 FALL EACH LITTLE SQUARE IS ONE PART IN A HUNDRED
Keskitalo, Bergquist, Gardeström & Jansson
Plant Physiology 139, 2005
For the grown-up

Verbatim from Keskitalo et al.: “About 80% of the nitrogen and phosphorus was remobilized.” Nitrogen and phosphorus are the two nutrients most expensive for a tree to acquire, and most of a leaf’s nitrogen is locked up in photosynthetic proteins — which is a large part of why the chlorophyll has to come apart at all. Taking the leaf to pieces is how the tree gets its nitrogen back.

The recovery has a deadline, and it is not the leaf falling. Remobilisation “seemed to stop on September 29, probably due to the cessation of phloem transport” — the plumbing shuts before the leaf drops, and the last leaves hung on for over a week after that with some cells still metabolically active.

One species, one tree, one autumn. The 80% figure is aspen’s, and the read-aloud says about eighty for that reason. Resorption efficiency varies widely between species and sites, and it is the quantity the 2021 study on the spread before this one was measuring.

Two routes

Uncovered, and made


So next time you are standing under a tree in autumn, you are looking at two completely different things at once.

The gold is something that was already there, and is now the loudest thing left.

The red is something that was not there, and got built.

Uncovered is not the same as made. It is worth knowing which one you are looking at.

They look the same from the pavement. They are not the same at all.

Two colours arriving two different ways Two small sequences side by side. On the left, labelled uncovered, a shape that is mostly green with a small patch of yellow becomes, after an arrow, the same small patch of yellow with the green gone. On the right, labelled made, a plain green shape becomes, after an arrow, a shape with a red patch in it that was not present before. UNCOVERED MADE THE YELLOW PATCH IS IN BOTH PICTURES THE RED PATCH IS ONLY IN THE SECOND ONE SUMMER ON THE LEFT OF EACH ARROW, AUTUMN ON THE RIGHT
Drawn as the two routes,
not as measured values
For the grown-up

This is the whole zine in one picture, and it is the claim we are most confident of — more confident than the tidy mechanism on spread six, and more than anything on spread nine. Carotenoids are present in the summer leaf; anthocyanins are not. The routes really are different in kind.

Spread seven complicates the left panel and does not overturn it. How much of the yellow is still there by the time you see it is a live quantitative question. That it was there in June is not.

Refusals · for the grown-up

Not:


NotA metaphor about masking, or about a true self underneath. This is the refusal this zine most needs and the reason it was nearly not built. The green was covering what was really there is a sentence waiting to be lifted, and it is false about leaves before it is anything about people: chlorophyll is not a disguise, it is a working molecule being dismantled for parts, and the carotenoid under it is not more authentic for having been outnumbered. Lift it off the leaf and it stops being true. No. 97 is five zines away and is about masking; that makes the pull stronger, not weaker, and it is a different subject.
NotA lesson about endings, or dying beautifully. Autumn colour is not a farewell. It is the visible side of a controlled dismantling with about eighty per cent recovery, run to a deadline set by the tree’s own plumbing. The pretty part is a by-product of the tree getting its nitrogen back.
NotA claim about children. Everything measured here is birch, maple, bird cherry, rowan and aspen. Nothing on any spread says a word about people, and the read-aloud layer never turns to the child and draws a moral. That is the rule for this whole collection.
NotSettled. Two of the four things on these pages are open, and both say so on the child’s own page: how much of the yellow is still there by the time you can see it, and why a tree spends anything at all on making red. Still arguing is on spread nine in those words, because a child who learns that science has unfinished edges has learned something truer than any of the facts here.
NotSimpler sourcing because the reader is five. Same eight gates, same ledger row, same grading of every figure. Spread seven exists only because the tidy sentence about unmasking turned out to be tidier than the one paper that separated the individual yellow pigments — and printing the tidy version is exactly the lapse this collection is built to prevent.
L★S

A leaf does not fade. It holds, and holds, and then it turns in about a week. One of its colours was in there all summer. The other one the tree builds while the leaf is being taken apart.

No. 91 Nobody in This Pond Is Late — the first read-aloud, and how fast is not how good
No. 93 Seeds That Wait — the companion piece: what a seed is waiting for
No. 94 The Colours You Cannot See — a colour really there that you have no part for
No. 95 Bone Song, Read Aloud — two true things about the bone in your arm
No. 96 The Cuttlefish That Can’t See Colour — and how you ask changes what you find out
No. 99 The Dog Breathes Out Sideways — the first demonstration, with a feather
No. 100 Almost All of It Is Holes — a seed that flies on the parts that are not there
No. 101 One Ear Higher Than the Other — two ears that disagree about up and down
No. 102 It Stays Green, and Then It Goes — two colours, two different routes ← you are here
To ask together

If you picked one leaf and looked at it every day, what do you think you would see?

The yellow was in there all summer. Why could you not see it?

Which is harder — uncovering something, or making it?

The scientists still do not agree about the red. What would you do to try to find out?

Where all of this comes from

Spreads two to five, and eight — the measurement the zine is built on. H. Mattila, D. Valev, V. Havurinne, S. Khorobrykh, O. Virtanen, M. Antinluoma, K. B. Mishra & E. Tyystjärvi, “Degradation of chlorophyll and synthesis of flavonols during autumn senescence — the story told by individual leaves,” AoB Plants 10(3), ply028 (2018), doi:10.1093/aobpla/ply028. Open access, read at full text. Source of the hold-then-collapse pattern, the ~1 week fast phase, the four species, the twice-daily non-destructive method, the between-leaf asynchrony, the rowan exception, and the flavonol synthesis.

Spreads seven, eight and ten — the pigments and the nutrients. J. Keskitalo, G. Bergquist, P. Gardeström & S. Jansson, “A cellular timetable of autumn senescence,” Plant Physiology 139 (2005), doi:10.1104/pp.105.066845. Abstract read verbatim; the full paper is behind a subscription and we did not reach it. Source of the parallel carotenoid degradation, the anthocyanin timing, and the 80 per cent remobilisation figure — all three of which are in its abstract.

Spreads eight and nine — the red, and the argument about it. E. Männistö, J. K. Holopainen, E. Häikiö & T. Klemola, Entomologia Experimentalis et Applicata 165 (2017), doi:10.1111/eea.12626; I. Peña-Novas & M. Archetti, Journal of Evolutionary Biology 34 (2021), doi:10.1111/jeb.13903; S. S. Renner & C. M. Zohner, Journal of Evolutionary Biology (2022), doi:10.1111/jeb.13957. All three read at abstract. W. D. Hamilton & S. P. Brown, “Autumn tree colours as a handicap signal,” Proc. R. Soc. B 268, 1489–1493 (2001), doi:10.1098/rspb.2001.1672 — citation pinned, not read, and named only as where the signalling idea is generally traced to.

How this one is built

Two layers on every spread. Large plain type for the child, first in the document, so a screen reader meets it first — then a bordered box for the adult, holding the measurements, the exact words, and every place the evidence runs out. Pictures sit between the two, where a child following the large type will actually reach them. The refusals on spread twelve are addressed to you, not to the child.

There is no demonstration in this one, and that is deliberate. Three of the eight pieces in this collection have none. You cannot do leaf senescence on a table in five minutes, and a forced demonstration is worse than none. What spread three offers instead is the method: pick one leaf, mark it, and look at it every day. That is a season, not an afternoon, and it is the actual experiment.

What we left out, and what is still open

A tidy sentence we nearly printed. This zine was proposed as the yellow was already there — the standard unmasking account, which is in every popular explanation of autumn colour. It survives on spread six because the pigment really is present in the summer leaf. But the one source that separated the individual carotenoids found “lutein and beta-carotene… degraded in parallel with chlorophyll” in aspen, with only some xanthophylls retained longer — so the causal story is less tidy than the sentence, and spread seven says so rather than the zine quietly benefiting from the neater version. Even the paper that states the standard account hedges it with partly, and the popular retelling drops the hedge.

Open, and on the page. How much of the yellow is still present by the time it becomes visible — one species, one tree, one autumn is what exists. And why a tree spends anything on making anthocyanins at all, which is being argued in print right now, with a 2021 test and a 2022 reply and no resolution.

For grown-ups who want the rest of it. No. 93 is this zine’s natural companion — the same tree’s seeds, and what they are waiting for — and it is also written for a child. No. 97 is about masking and is not what this piece is about; it is named here so the resemblance is disposed of rather than left lying around.