The doors
Take whichever one sounds like you. Who each is for is set out below the cards.
This is the head of the reading chain and it is not a prerequisite. Three of these are ways in and one is a way out — and any of the hundred-odd other pages is also a fine place to begin.
Four ways in. One says what this is. One makes the argument the site is named after. One explains how the work is made. One asks you to make something of your own.
None of them is a prerequisite, and this is not a queue. Every piece on this site is built to stand alone, because that is what a person reading in a hard week can actually use.
Who each door is for, and why a page like this sits oddly with the rest of our method, are below the cards.
Take whichever one sounds like you. Who each is for is set out below the cards.
If you read one thing before deciding whether to read more.
Zines and field guides on the science of belonging — we are made of star stuff, and we belong not despite our differences but as them.
New here? Start with the shortest version of the whole idea: settled science read as an argument about belonging, from the cosmic to the lived.
Three sections. An official collaboration: Star Stuff is a collaboration between the Stimpunks Foundation and More Realms — Helen Edgar's site — and the pairing is on every page rather than tucked into a credit at the bottom. The through-line: settled science read as an argument about belonging, from the cosmic to the lived, braiding stellar nucleosynthesis with Yasuda's piezoelectric bone and reading both through the neurodiversity paradigm. How it's made, and held: written in the first person plural because it comes from inside the community rather than about it, printed free and shared freely, with the working and the errors left visible. The shortest way in, and the page to hand someone who has not seen any of this before.
The one the site is named after.
The whole phrase, in long form — what LYDTYSS is, and what it is not.
Sagan and the settled science, the five shorthands, the Resonance and Belonging cards, related traditions across cultures, and the Crystal Under Pressure prose poem.
The long-form home of the phrase, with a table of contents of its own: the five shorthands and their registers; the video inspirations; the Resonance card, and the Belonging, Authenticity and Radical Inclusivity cards; related concepts and traditions across cultures; Sagan's the cosmos is within us; the Crystal Under Pressure prose poem; a reflection section and community voices. The pair that does the most work is What LYDTYSS Is Not set directly against What LYDTYSS Is — because the phrase is a promise made by people rather than a finding about the universe, and the distance between those two is the whole argument of A Promise, Not a Finding. It ends at the L★S Playlist.
Helen Edgar's phrase, and the house method it names.
Three sites, one web. Nothing here was arrived at in a straight line, and none of it is anybody's alone.
What travels between Stimpunks, More Realms and Star Stuff — essays becoming zines, glossary becoming argument, corrections going back out.
Three sections, and the page names the method the whole site runs on. Three sites, one web: what travels between Stimpunks, More Realms and Star Stuff — essays becoming zines, glossary becoming argument, corrections going back out. Why links, and not folders: a web of linked notes produces concepts nobody sat down and wrote, which is why the collections here were observed after the fact rather than opened in advance. Accumulated, not authored — nothing here comes from nowhere. Cosmic Connections is Helen Edgar's phrase and it is the site's tagline; two lineages sit inside it and both stay credited wherever it is explained — James Burke's Connections (BBC, 1978) and Carl Sagan's The Cosmic Connection (1973). Two diagrams, a table of receipts, and a “Not:” refusals set.
The only door here that points away from us.
Voices from the community.
An open call for contributors — neurodivergent people and those who love them, writing toward what it means to be loved down to your star stuff.
The first three zines in this series made arguments. This one holds space for something different: the actual voices of the people the series is for. Nos. 1, 2 and 3 built the framework — the piezoelectric bones, the cosmology of care, the neurodiversity paradigm — and explained why you are made of star stuff and why that matters. We Are All Star Stuff asks what that means to you. We're collecting short pieces, a few sentences to a few paragraphs, from Autistic, ADHD, dyslexic, disabled and otherwise neurodivergent people, and from the family members, educators and community members who love them. In progress, and open.
There is a tension on this page and it is better named than hidden. Cosmic Connections argues that this project runs on links rather than folders, that its categories are outputs rather than inputs, and that nothing here arrived in a straight line. A section called Start Here is the most folder-shaped thing on the site.
It stays because the alternative is worse. A reader arriving cold at a wall of seventy-two zines and eighteen field guides is not being respected by the absence of a door; they are being asked to do the curation themselves, which is work we are better placed to do once than they are to redo every time. The fix is not to remove the door. It is to be honest that it is a door and not a queue.
So: nothing below is a prerequisite for anything else. Every piece on this site is built to stand alone, because that is what a person reading in a hard week can actually use. If a shark catalogue is what you can hold today, start there and let this page wait.
Two of the four sit outside the reading chain on purpose. About and Cosmic Connections are reference pages rather than artifacts — you consult them, you don't read them in sequence — so the prev/next chain skips them and they are reached from the nav and from here. The other two are in the chain, which starts on this page and runs one hundred pages to Shorthand Evolution.
Read Love You Down To Your Star Stuff. Everything else on this site is that argument run through a different fact — a bone that turns pressure into charge, a turtle that breathes through the wrong end, a nervous system with no centre — and if the founding version does nothing for you, the variations probably won't either. That is worth finding out cheaply.
Not a curriculum. There is no order you are failing to follow and no foundation you are missing. The numbers on the zines record when a piece was made, not what you have to read first — see any collection page for how membership actually works.
Not a difficulty ramp. These four are not the easy ones. Too Good to Check is in Foundations and is one of the most demanding things here; a field guide can be read in fragments on a bad day. Start with whatever your attention will actually hold.
Not an onboarding funnel. Nobody is being converted, counted, or moved through stages. There is no newsletter, no account, and no analytics on this site — the search runs entirely in your browser and the query never leaves it.
Not the only way in. Most people arrive from a link to one specific page and never see this one, which is fine and is how a web is supposed to work.